No such thing as a bad tax cut… is there?

November 20, 2009

Don Boudreaux of Cafe Hayek points out an interesting paragraph from a 2005 CBO study:

The resulting [tax] rate on equity-financed corporate capital income is 36.1 percent and that on debt-financed corporate capital income is -6.4 percent, a difference of 42.5 percentage points. The rate on equity-financed corporate capital income is higher than the statutory corporate tax rate because of the extra tax imposed on dividends and capital gains at the individual level.

Obviously, this will steer corporations towards debt financing over equity financing. Some quick definitions: equity financing is financing by issuing stock, i.e. financing from your shareholders; while debt financing is done by borrowing. Firms typically use a mix based on their individual needs. The important point is that the tax code is quite probably influencing corporate decision-making for the worse and distorting capital markets.

So is this a case of a tax cut with negative consequences? Milton Friedman once said:

I am in favor of cutting taxes under any circumstances and for any excuse, for any reason, whenever it’s possible.

My preferred solution is to cut all tax rates drastically. But assuming we have some situation where our only choice is a 36.1% tax rate for both debt and equity financing, or 36.1% for equity and -6.4% for debt; is the best solution to have both at 36.1%, as this probably causes less severe market distortions?

As always, we welcome your thoughts.


Union: Pay TV Talent Show Contestants

September 10, 2009

The Guardian reports,

Television talent shows are using contestants as “cheap” labour, thereby undercutting professional performers in the entertainment industry, a union has warned.

The actors’ union Equity has rounded on shows such as Britain’s Got Talent and The X Factor, which do not pay contestants a penny for their performances but are watched by millions of viewers on primetime TV.

In a motion tabled for this next week’s annual TUC conference in Liverpool, the union will call for contestants who qualify for the show to be paid the rate for the job amid fears that professionals are losing out.

Seizing on the controversy that surrounded Susan Boyle on the last Britain’s Got Talent contest, the union also calls for a return to “professional drama and light entertainment” rather than shows based on the “exploitation and humiliation of vulnerable people”.

Interesting that a union complained and not the contestants themselves. I doubt contestants label an appearance on television and a shot at stardom “exploitation.”


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